Scottish National Gallery of Modern Art Edinburgh
Be quick! This exhibition closes 2nd June
This exhibition takes its theme from a much-quoted remark by Andy Warhol: “I want to be a machine”. Behind Warhol’s seemingly facetious quip was the serious belief that art would become increasingly mechanised.
This exhibition examines the work of Andy Warhol and Eduardo Paolozzi, showing how they captured images from photography and advertisements. Warhol traced his images while Paolozzi used collage, until they both turned to screenprinting in the early 1960s to transform photographs into prints. The exhibition includes rarely seen drawings by Warhol from the 1950s, as well as his famous multi-coloured prints of Marilyn Monroe and a group of recently acquired ‘stitched’ photographs. Works by Paolozzi include some of his early proto-Pop collages from the early 1950s and his kaleidoscopically-coloured prints from the 60s and 70s.
But look out for
Cut and Paste: 400 Years of Collage is the first survey exhibition of collage ever to take place anywhere in the world. Collage is often described as a twentieth-century invention, but this show spans a period of more than 400 years and includes more than 250 works.
A huge range of approaches is on show, from sixteenth-century anatomical ‘flap prints’, to computer-based images; work by amateur, professional and unknown artists; collages by children and revolutionary cubist masterpieces by Pablo Picasso and Juan Gris; from nineteenth century do-it-yourself collage kits to collage films of the 1960s. Highlights include a three-metre-long folding collage screen, purportedly made in part by Charles Dickens; a major group of Dada and Surrealist collages, by artists such as Kurt Schwitters, Joan Miró, Hannah Höch and Max Ernst; and major postwar works by Henri Matisse, Robert Rauschenberg, and Peter Blake, including the only surviving original source photographs for Blake’s and Jann Haworth's iconic, collaged cover for the Beatles’ album Sergeant Pepper’s Lonely Hearts Club Band.